Just resting.
I survived those holiday things, had a nice visit from
sfogarty, and had a nasty experience with the Karmic upgrade for my OS. I'm currently running backup OS (WinXP) until I get the energy to fight with Grub again. My policy of not upgrading was a good one.
I got the writing gig, which means harder work but better pay. Haven't quit my old one, because you never know who's going to turn out to be crazy, but I told them I'm backing off on my workload for a while due to other projects.
In the world of art, I've been struck with a deep desire to be John Jude Palencar again. This comes and goes, since he's one of the few professional illustrators that actually does what I do, with the lines and such. Gasp, shock!
So, I got myself some new Claybord to go with the new brushes
ladydrake got me, and have been doing lots of little lines. I've discovered a way to make painting take three times longer! It's not a new one, though. I did it back when I did this one, which is a 25 hour piece at 9x11ish. Currently, it's all practice stuff, unfortunately - I doubt it'll be saleable when it's done. But practice is good, and things are going well, so far. I got the background done - maybe 15 hours in? Possibly more - I'm not sure. Now I can start on the figure.
I am irked at my watercolor set. Two ultra-saturated greens on the blue side, three yellows (including ochre) and only one brown? The fools!
Of course, I am not one for a limited palette. There are those people who can do a fantastic job with just five or six colors, but I want about two dozen. Black, Payne's grey, zinc white (or lead), titanium white, burnt sienna, burnt umber, raw sienna and red and yellow ochres are probably base requirements for even a sepia palette. Clearly this little watercolor palette needs more wells. [edit - I'm still using the faux-historical palette for digital work. It has so many lovely browns and is keeping me in a good color space. But it has completely spoiled me for earth pigments.]
I should also really finish that website revamp. The compu-splosion stopped me there for a bit.
Paintypaintypainty.
I survived those holiday things, had a nice visit from
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
I got the writing gig, which means harder work but better pay. Haven't quit my old one, because you never know who's going to turn out to be crazy, but I told them I'm backing off on my workload for a while due to other projects.
In the world of art, I've been struck with a deep desire to be John Jude Palencar again. This comes and goes, since he's one of the few professional illustrators that actually does what I do, with the lines and such. Gasp, shock!
So, I got myself some new Claybord to go with the new brushes
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
I am irked at my watercolor set. Two ultra-saturated greens on the blue side, three yellows (including ochre) and only one brown? The fools!
Of course, I am not one for a limited palette. There are those people who can do a fantastic job with just five or six colors, but I want about two dozen. Black, Payne's grey, zinc white (or lead), titanium white, burnt sienna, burnt umber, raw sienna and red and yellow ochres are probably base requirements for even a sepia palette. Clearly this little watercolor palette needs more wells. [edit - I'm still using the faux-historical palette for digital work. It has so many lovely browns and is keeping me in a good color space. But it has completely spoiled me for earth pigments.]
I should also really finish that website revamp. The compu-splosion stopped me there for a bit.
Paintypaintypainty.